FNDR BRCON 1963

Watch the full demo here: https://youtu.be/ipPZarFGZ3E   Within the Fender Brown panel era the Concert holds a special place for a number of reasons. Aside from its exceptional Harmonic Tremolo, which is by many considered to be the best implementation of that effect, it sits neatly between the slightly more powerful Blonde Bassman and the slightly smaller Brown panel amps like the Super.   As a result it will deliver beautiful cleans and edge of breakup tones, while it will growl like a Grizzly when driven harder. It does not sound like a Marshall to my ears, as often is said about these, but it will stand up high with a wide chest to any Marshall coming close to its territory. Because of that and because it shot 120 VAC through my body while handling it (it is literally all original, including the death cap!) it earned its name - ZAP.   It combines a lot of attributes of the larger and smaller amps - it has a stout, extremely punchy attack, with a bit of compression and a nice grit. It is inherently detailed but warm sounding at the same time with a very unique midrange and drive texture.   Brown panel amps are often described as a combination of tweed and black panel designs, but i would say they are definitely their own thing.   It will do everything nicely from cleans up to proper crunch levels and with pedals it will wail on gloriously beyond that.   The capture set features 32 full captures and the amp was captured through its original 4X10 cab with Oxford Gold speakers.  See a full list of included captures in the product picture section.

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